Sunday, March 29, 2009

The BIOTE Diaries: Beating the Bookstore



You know it's the start of a new semester at the University of Texas at Austin when you hear a certain clamour on Guadalupe St., known locally as The Drag. Students throng the stores on the Drag near campus, hastily stocking up for the new term, which means having to buy a whole new set of books. Make no mistake, books are expensive here, and that goes double for textbooks. Naturally, a bunch of places have sprung up where you can get your stuff secondhand or at a reasonable discount, among them a place called Beat the Bookstore. But "Beat the Bookstore" is no longer just the name of a store, it is now an unofficial motto of UT students, a philosophy. And this philosophy has trickled down to the issue of shopping at general bookstores, the ones which cater to the needs of Literature and History majors (among others), and book-browsers like me. But the situation only became clear to me during my final week as a resident of Austin, Texas. It felt like the end of an era in more ways than one.

On a Tuesday that week, around the same time I came to hear of Premier Bookshop's impending closure - and I like to believe this was more than mere coincidence - I was walking down the Drag when I saw the sign, a sign that the economic crisis was having its effect right in front of my eyes; the University had decided its main bookstore was dispensable, and would be closing it down soon. I stood in front of Intellectual Property, the place where I had spent many a leisurely hour over the past couple of years, and slowly read the announcement that they were discounting their entire stock by a sizable amount, before closing for good in a month's time. I duly rushed in to pick up one last title from there. On the Road (Jack Kerouac), which had in fact been recommended to me years ago, was unavailable, so I settled for Crash by J.G Ballard, at a reasonable 40 percent off.

To those Bangaloreans who swear by smaller places like Premier, Blossom, Bookworm and their ilk, the picture of IP above probably suggests that it was just another big corporate establishment with all the trappings, but devoid of any soul. The reality was way different; compared to glitzy monstrosities such as Borders or Barnes and Noble, IP was positively quaint. It combined the proprietary helpfulness of Premier with the immaculate arrangement of Sankar's, and the interiors were simple yet inviting. If you look closely at the pic, you'll notice a narrow long blackboard above the shelves running the length of the walls; this was typically decorated with quotations from literary figures, inscribed in chalk. Best of all, it was a peaceful place staffed by ever-smiling book enthusiasts who didn't mind if you hung around and flipped pages indefinitely. They had an excellent catalog, and although their books were first-hand and therefore priced accordingly, discounts were common. They featured a neat bestsellers' section which was regularly discounted by 30 percent; it got me acquainted with a range of titles which often left me bookshelf-dreaming, if nothing else.

Why did they close down? After all, every big University needs a decent bookstore, and this was located in a prime area teeming with potential clients. A friend of mine came up with an interesting theory, one which Malcolm Gladwell might have approved of. He observed that, with the door being perpetually open and the windows wide and big, thus allowing the sunlight to come in, as a casual browser or potential customer you had a constant view of the crowded outside world; you were thus compelled to leave sooner than you normally would. The interior of a bookstore should be designed to keep the customer's attention focused solely on the books, and that means paying more attention to little visual details. The same open-view-of-the-street was true of Premier as well, but that place had a fiercely loyal clientele which kept it on life support for about two years after the end of the road had been reached; perhaps IP's customer base was more fickle. As I made my final purchase, I had a quick chat with Dara, one of the staff whom I'd come to know over my regular visits to the store. She had some interesting insights to offer on the predicament of the friendly neighbourhood bookstore:

"You see, bookstores like ours operate on very small margins. We compete with the bigger chains as well as the downright secondhand places, and in our case we even had to supplement the income generated from books by including a Computer Products section. In hindsight that was a bad idea, because you already have a computer store on campus which fulfills the needs of the very customers we were hoping to attract. Perhaps we could have worked on the interiors and the arrangement a little, like having a properly organised History section to target specific UT majors. Our location also worked against us, there's no parking for miles in this crowded campus area. Of course college kids mostly don't read as much as they used to...that was pretty evident from the declining number of sit-in-readers we had over the last year. But I would say the biggest threat to our business is the emergence of the online bookstore. Now that people are getting everything they need cheap at Amazon, why would they bother with a place like this?"

There was a sense of calm acceptance in her voice, which betrayed only the slightest hint of regret, much like the matter-of-factness displayed by owner Shanbag upon his decision to close Premier. When I read this article on IP's closure, I found the last couple of lines (which talk about the opportunity to cash in on the closing discounts offered) particularly interesting:

Just because you couldn't be bothered to support a local bookstore while it was struggling to stay afloat in one of the riskiest pieces of real estate in the city doesn't mean you can't capitalize on its demise. That there is the American way.


More power to the American way, then. Nevertheless, I was happy to be around at the end, for it was consolation for not being able to make one last trip to Premier.

PS: Premier's closing had me going all nostalgic as well; I even commented on the resilience of the store in an earlier post. I'm too tired to write a piece on it here, but I do recommend Ramachandra Guha's tribute in The Hindu.

Current Music: Cut Copy - Hearts on Fire

Tuesday, March 17, 2009

On Watching the Watchmen



If you're wondering what the deal is with this new superhero movie, and intend on approaching it with caution, my two bits would be: read the book first. Hell, read the book anyway, whether or not you care about the film. Now I'm not trying to play the snob who's out to praise the book to the skies and trash the movie adaptation; I read the comic series a few months ago and thoroughly enjoyed it, but that alone does not make me a comic book connoisseur. (Disclaimer: I sure as hell don't spend my free time playing dungeons-and-dragons. I spend it writing blog posts.) If you've already read the book and liked it, you probably *have* to watch the film for no other reason, just like me.

[For a quick plot summary, read the wikipedia entry].

Watchmen, being commonly seen to represent the "kingship" of the Graphic Novel genre (which is probably justified), was ever a likely candidate to be turned into a film, sooner or later. The fact that it was mentioned in Time Magazine's 100 greatest novels list has only added to the legend. Porting it to the cinematic medium was always going to be a tall order, for it is a veritable African elephant, simply too big a beast to be tamed. While the film does eventually collapse under its own weight, the director Zack Snyder deserves an A+ for his ballsy effort to realise the impossible and keep it propped up. He was faced with two equally ominous options - playing it safe and keeping the fanboys happy by remaining as faithful as possible to Alan Moore's work, or doing a variation on the theme and risk being critically panned. He chose the former, and unfortunately the characters are "bottled up within that frame" as another viewer told me.

The movie clocks in at 165 minutes, and can be tedious to sit through. Like The Matrix, it is possible to get the gist of the plot and be spellbound by the concept if you concentrate hard. If you're expecting an evening of mindless entertainment, be warned; this movie is relatively low on action, and its depth of content it makes The Dark Knight seem like a pleasant little stroll of a tragi-comedy. Synder has really taken it upon himself to put the "Graphic" in this Graphic Novel adaptation; whenever violence surfaces, it often takes the meticulously detailed and brutal form that was apparently a defining feature of 300, but it doesn't seem to work well here. There's also a particularly violent rape scene as well, which was a little hard to stomach.

The best feature of the film, without a doubt, is the portrayal of Rorschach. Jackie Earle Haley does a splendid job of bringing out the vengeful hostility and vulnerability behind the mask of the story's most fascinating character. It's just a pity the movie had already run too long to delve deeper into the details of Rorschach's past. (Incidentally, The Tales of the Black Freighter, which serves as the fictional comic-within-the-comic in the book, was also left out, but will be released separately on DVD, detailing the characters' backstories. Now there's a neat marketing idea.) Also worth talking about is Malin Ackerman's solid performance as Laurie Jupiter a.k.a Silk Spectre II, despite her part in a most ridiculous scene which I've mentioned below. The rest of the cast, particularly Billy Crudup as Dr.Manhattan are less inspiring.

One of the most noticeable aspects of the film is the deliberate injection of accompanying music at various points, an almost blatant admission that its target audience likely consists of neurotic record collectors (yup, guilty as charged!). This can be extremely hit-or-miss; it works in the opening scene, as images from the past are played to Bob Dylan's The Times They are a-Changin', showing that Snyder wasn't too preoccupied with the original to add a few distinctive touches of his own. But Sounds of Silence at the Comedian's funeral and All Along the Watchtower while Rorschach and Nite Owl crash into Antarctica are way out of place. And oh yeah, there's Leonard Cohen's Hallelujah serving as the bizarre background to an ultra-passionate love scene between Laurie and Dan. What's up with that? Unfortunately, what could have been one of the movie's more surreal moments is completely spoiled by the activation of a flamethrower to signify Laurie's orgasm. Downright tasteless and stupid. I don't think I'll ever be able to listen to Hallelujah with the same ear again!

Alan Moore, who distanced himself from the film adaptation, had this to say about his work: "It's a comic book, not a movie. It's been made in a certain way, and designed to be read a certain way: in an armchair, nice and cozy next to a fire, with a steaming cup of coffee." Looking back, that is precisely the reason I enjoyed the book so much. Instead of having to take it all in at one shot, I was able to enjoy it piecemeal, reading one volume of the series at a time. Having sat through this monster of a film, I was, well...filled up, but definitely not satiated.

Current Music: Christy & Emily - Superstition

Monday, March 9, 2009

The Slacker

To be sung to the tune of The Seeker by The Who (see link at the end for the original). This didn't come out as well as my previous attempt at a spoof, but it's a bit more autobiographical.

[Dedicated to anyone who has happily acquired the jobless, wothla, vetti, or vella tag]

I've slept through my past,
Don't bleed for my future,
I just live for this moment,
But they all think I'm a loser

Chorus:
They call me The Slacker,
I've been drifting low and high
I won't care a hoot what I'm after,
Till the day I die.

I asked Richie Linklater,
I asked my teachers
I asked Dude Lebowski,
But he couldn't help me either

[Repeat Chorus]

People tend to bug me,
'Cause I got no plans
As they ransack my dreams they make me wanna scream,
Focusing on my space,
Need my peace of mind
I'm a Slacker, I'm a really clueless man.

I won't care a hoot what I'm after,
Till the day I die.

I learned how to curb my useless anger,
Yeah, but look at my face, see me fake a smile
I'm happy when life's good, and when it's bad I'm mine
I've got an MS Degree, but I don't know how or why!

They're looking for me,
They think I'm confused
I try hard to tell them,
But they keep telling me what to do!

[Repeat chorus]

Current Music: The Who - The Seeker